In addition to his Tarpaulin Sky Press titles The Sugar Book (2015), Haute Surveillance, (2013) and Entrance to a colonial pageant in which we all begin to intricate (2011), Johannes Göransson has published three other books of his own writings— Dear Ra (A Story In Flinches), Pilot (Johann the Carousel Horse), and A New Quarantine Will Take My Place—and several books in translation, including Dark Matter and With Deer by Aase Berg, Ideals Clearance by Henry Parland, and Collobert Orbital by Johan Jönson. Together with his wife, Tarpaulin Sky author Joyelle McSweeney, Göransson co-edits Action Books and blogs at Montevidayo.
“Doubling down on his trademark misanthropic imagery amid a pageantry of the unpleasant” (PUBLISHERS WEEKLY); “Göransson is certainly of the Left, but his work is as savagely anti-idealist as Burroughs or Guyotat or Ballard.” (JAMES PATE, ENTROPY MAGAZINE); “Language smeared with bodily fluid and sex, language spackled with violence and death…. It takes the reader far beyond their comfort zone, as poetry should. Just like Los Angeles herself, the poems inhabit that glittering/grotesque duality of Kardashian Family and Manson Family” (CARLEN TIBBETTS, AMERICAN MICROREVIEWS & INTERVIEWS); “I’m not sure that even Rimbaud would title a poem ‘My Sperm Gets in the Flowers’” (JOHNNY PAYNE, CLEAVER MAGAZINE).
Aaron Apps is the author of Intersex (Tarpaulin Sky Press 2015) and Dear Herculine, winner of the 2014 Sawtooth Poetry Prize from Ahsahta Press. He is currently a doctoral student in English Literature at Brown University where he studies poetry and poetics, sexual somatechnics, animacy, hybrid forms, and the history of intersex literature. His writing has appeared in numerous journals, including Pleiades, LIT, Washington Square Review, Puerto del Sol, Columbia Poetry Review, and Blackbird.
Intersex explores gender as it forms in concrete and unavoidable patterns in the material world. In this hybrid-genre memoir, intersexed author Aaron Apps adopts and upends historical descriptors of hermaphroditic bodies such as “freak of nature,” “hybrid,” “imposter,” “sexual pervert,” and “unfortunate monstrosity” in order to trace his own monstrous sex as it perversely intertwines with gender expectations and medical discourse. “Intersex is all feral prominence…. Necessarily vulnerable, brave and excessive…. Like the best kind of memoir … a book that bursts from its very frame” (BHANU KAPIL)
Claire Donato is the author of the novel, Burial, from Tarpaulin Sky Press, and the poetry chapbook, Someone Else’s Body, from Cannibal Books. Her fiction, poetry, and lyric essays have appeared or are forthcoming in the Boston Review, Encyclopedia, Evening Will Come, LIT, Octopus, and 1913: a journal of forms. She grew up in Pittsburgh, PA, holds an MFA in Literary Arts from Brown University, and lives in Brooklyn, NY.
Set in the mind of a narrator who is grieving the loss of her father, who conflates her motel room with the morgue, and who encounters characters that may not exist, Claire Donato’s Burial is a little novel about an immeasurable black hole. “dark, multivalent, genre-bending … unrelenting, grotesque beauty” (PUBLISHERS WEEKLY “BEST SUMMER READS”) “Unforgettable” (HEATHER CHRISTLE); “Precise urn-like prose … with the poise of Woolf or Loy or Carson” (BLAKE BUTLER); “shimmers with pain and delight” (BRIAN EVENSON); “Donato’s assured and poetic debut augurs a promising career” (BENJAMIN MOSER).
Joyelle McSweeney is the author of two titles with Tarpaulin Sky Press: Nylund, the Sarcographer (2007) and Salamandrine: 8 Gothics (forthcoming, April 2013). She also author of four titles from Fence Books: Percussion Grenade, Flet, The Red Bird, and The Commandrine and Other Poems.
A collection of short stories by Joyelle McSweeney, refracting the dread and isolation of contemporary life through a series of formal/generic lenses, producing a distorted, attenuated, spasmatic experience of time, as accompanies motherhood; making impossible any thinking in terms of conventional temporalities or even causalities, let alone their narrative effects. “McSweeney’s breakneck prose harnesses the throbbing pulse of language itself.” (PUBLISHERS WEEKLY); “sexy teleological apocrypha of motherhood literature, a siren song for those mothers ‘with no soul to photograph'” (BROOKLYN RAIL); “These words ring and richochet like tinnitus in your ears” (QUARTERLY WEST); “One would not make love to a Salamandrine during a sandstorm” (ALEISTER CROWLEY)
david wolach is founding editor of Wheelhouse Magazine & Press and has been an active participant in Nonsite Collective. wolach is the author of Hospitalogy, from Tarpaulin Sky Press, as well as Occultations (Black Radish Books, 2010), Prefab Eulogies Volume 1: Nothings Houses (BlazeVox [books], 2010), and book alter(ed) (Ungovernable Press, 2009).
“An extraordinary work that takes us into the complex guts of the ‘hospital-hotel complex.’ Here the body rebels, redacts, pulls, and sings between patient and patient. wolach performs a radical somatics, procedural anatomic work, queer narrativity.'” (ERICA KAUFMAN); “The strange tearing apart held inside that holds you inside, singing static and shrapnel…. Dear ‘jesus of the pain.’ Welcome to david wolach’s beautiful corrosion.” (FRED MOTEN); “holds the space of the clinic we don’t yet have, the dark we need, the chronic we might dream rather than undergo.” (ELENI STECOPOULOS); “documents the soft rebellion of staying alive, articulating the transition from invisibility to indecipherability.” (FRANK SHERLOCK)
“[A] feverish and explicit set of images and ideas revolving around power, fetish, porn, media, violence, translation, punishment, performance, and aesthetics….. kind of like a novelization of a movie about the production of a play based on Abu Ghraib, though with way more starlets and cocaine and semen.” (BLAKE BUTLER, VICE); “part epic poem, part science fiction, part pornographic film, and all literature” (JOHN YAU, HYPERALLERGIC); “so filled with invention and wit and ferocity that I was compelled to read it, at times against my will, mesmerized, enthralled. (CAROLE MASO)
Kim Gek Lin Short is the author of two lyric novels from Tarpaulin Sky Press, China Cowboy and The Bugging Watch & Other Exhibits, in addition to the the cross-genre chapbooks The Residents (dancing girl press) and Run (Rope-a-Dope), a 2010 Golden Gloves winner.