After atrocities forms emerge, often called avant-garde forms. Looking at avant-garde as a literal translation, these forms may be “forward looking” but they feel more to me like forms of present moment witness. How does one speak after a violence that literally reconfigures the cellular structure of things, that, in its erasure, records the shadow of what is no longer present? Out of necessity forms arise to speak a language that must also speak these losses and transfigurations.
—from the interview with Selah Saterstrom