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<channel>
	<title>Tarpaulin Sky Press</title>
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	<link>http://www.tarpaulinsky.com</link>
	<description>Books. A magazine. Online. In print. Cross-genre, trans-genre, anti-genre. Fiction &#38; Non-. Poetry. Reviews. Interviews. &#34;Other.&#34; Lovely monstrous hybrid text.</description>
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		<title>Two Reviews of Kate Durbin&#8217;s Kept Women</title>
		<link>http://www.tarpaulinsky.com/2013/05/two-reviews-kate-durbin-kept-women/</link>
		<comments>http://www.tarpaulinsky.com/2013/05/two-reviews-kate-durbin-kept-women/#comments</comments>
		<pubDate>Wed, 08 May 2013 12:25:11 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[magazine]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[insert blanc press]]></category>
		<category><![CDATA[jon rutzmoser]]></category>
		<category><![CDATA[kate durbin]]></category>
		<category><![CDATA[lysette simmons]]></category>
		<category><![CDATA[matthew timmons]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6189</guid>
		<description><![CDATA[By the end of <em>Kept Women</em>, Durbin successfully changes the viewing activity of reality-as-entertainment into an active reading of trauma, or post-trauma. Readers become increasingly self-aware as the speaker’s emotional detachment from the scenes feels tensely at odds with the negated inhabitants. The women’s physical bodies are acutely absent from the poems, as if the speaker is treating a fresh crime scene like a museum tour.]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/05/two-reviews-kate-durbin-kept-women/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blake Butler at VICE reviews, excerpts Johannes Göransson&#8217;s Haute Surveillance</title>
		<link>http://www.tarpaulinsky.com/2013/05/vice-review-haute-surveillance/</link>
		<comments>http://www.tarpaulinsky.com/2013/05/vice-review-haute-surveillance/#comments</comments>
		<pubDate>Wed, 08 May 2013 11:14:54 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[TSky news]]></category>
		<category><![CDATA[blake butler]]></category>
		<category><![CDATA[haute surveillance]]></category>
		<category><![CDATA[johannes goransson]]></category>
		<category><![CDATA[vice]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6183</guid>
		<description><![CDATA[Johannes Göransson's <em>Haute Surveillance</em> (Tarpaulin Sky Press 2013): "A feverish and explicit set of images and ideas revolving around power, fetish, porn, media, violence, translation, punishment, performance, and aesthetics. Taking its title from a Jean Genet play of the same name, it’s kind of like a novelization of a movie about the production of a play based on Abu Ghraib, though with way more starlets and cocaine and semen."]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/05/vice-review-haute-surveillance/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gabe Durham’s Fun Camp reviewed by Joe Sacksteder</title>
		<link>http://www.tarpaulinsky.com/2013/05/gabe-durham-fun-camp/</link>
		<comments>http://www.tarpaulinsky.com/2013/05/gabe-durham-fun-camp/#comments</comments>
		<pubDate>Wed, 08 May 2013 11:07:55 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[gabe durham]]></category>
		<category><![CDATA[joe sacksteder]]></category>
		<category><![CDATA[publishing genius]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6242</guid>
		<description><![CDATA[Its advice works if you’re interested in clawing your way into the lit journal world: 'Remember, you campers with less personality, it really is a numbers game – if you write enough notes, you’re gonna get a reply. Even telemarketers make a sale now and then.']]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/05/gabe-durham-fun-camp/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chaps from Ricochet Editions available for review</title>
		<link>http://www.tarpaulinsky.com/2013/05/chapbooks-ricochet-editions/</link>
		<comments>http://www.tarpaulinsky.com/2013/05/chapbooks-ricochet-editions/#comments</comments>
		<pubDate>Wed, 08 May 2013 10:24:01 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[blogs]]></category>
		<category><![CDATA[gold line press]]></category>
		<category><![CDATA[ricochet editions]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6264</guid>
		<description><![CDATA[Ricochet's entry into the chapbook scene comes by way of three titles -- Bradley Harrison's <em>Diorama of a People, Burning</em>; Matthew Kirkpatrick's <em>The Exiles</em>; and Glenn Shaheen's <em>Unchecked Savagery</em> --each of which exudes its own organic form.]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/05/chapbooks-ricochet-editions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Sakkis: Poems from Rave On!</title>
		<link>http://www.tarpaulinsky.com/2013/05/poems-john-sakkis/</link>
		<comments>http://www.tarpaulinsky.com/2013/05/poems-john-sakkis/#comments</comments>
		<pubDate>Sun, 05 May 2013 15:20:39 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[john sakkis]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6158</guid>
		<description><![CDATA[All I know is that I no longer fear extraterrestrials because they consider us a protected species like we protect rare species of animals on Earth, and that’s pretty cool!]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/05/poems-john-sakkis/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Two poems by Drew Kalbach</title>
		<link>http://www.tarpaulinsky.com/2013/04/drew-kalbach/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/drew-kalbach/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 08:33:39 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[drew kalbach]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6135</guid>
		<description><![CDATA[We were friends with the shit-filled paper bag.<br />
It felt nice to be at home in semen, comfortable<br />
to get peed on by strange dogs.<br />
But I mostly wanted to touch your penguin, to pry apart<br />
his beak and to pop pictures of you into his throat.]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/drew-kalbach/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Books received &amp; available for review</title>
		<link>http://www.tarpaulinsky.com/2013/04/books-received-available-review/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/books-received-available-review/#comments</comments>
		<pubDate>Fri, 12 Apr 2013 19:21:09 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[blogs]]></category>
		<category><![CDATA[ahsahta press]]></category>
		<category><![CDATA[amina cain]]></category>
		<category><![CDATA[black scat books]]></category>
		<category><![CDATA[bloof books]]></category>
		<category><![CDATA[brian henry]]></category>
		<category><![CDATA[carrie olivia adams]]></category>
		<category><![CDATA[denver quarterly]]></category>
		<category><![CDATA[ethan paquin]]></category>
		<category><![CDATA[insert press]]></category>
		<category><![CDATA[instance press]]></category>
		<category><![CDATA[jack collom]]></category>
		<category><![CDATA[james belflower]]></category>
		<category><![CDATA[kate greenstreet]]></category>
		<category><![CDATA[kim rosenfield]]></category>
		<category><![CDATA[m kasper]]></category>
		<category><![CDATA[peter davis]]></category>
		<category><![CDATA[salt publishing]]></category>
		<category><![CDATA[springgun press]]></category>
		<category><![CDATA[t zachary cotler]]></category>
		<category><![CDATA[ugly duckling presse]]></category>
		<category><![CDATA[verse]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6109</guid>
		<description><![CDATA[14 books, 12 authors, 11 presses. Carrie Olivia Adams, Michael S. Begnal, James Belflower, Amina Cain, Jack Collom, T. Zachary Cotler, Peter Davis, Kate Greenstreet, Brian Henry, M. Kasper, Ethan Paquin, and Kim Rosenfield; published by Ahsahta Press, Black Scat Books, Bloof Books, Denver Quarterly, Insert Press, Instance Press, Salmon Poetry, Salt Publishing, SpringGun Press, Ugly Duckling Presse, and Verse.]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/books-received-available-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Johannes Göransson&#8217;s Haute Surveillance and Uche Nduka’s Ijele reviewed by Stacy Hardy</title>
		<link>http://www.tarpaulinsky.com/2013/04/haute-surveillance-ijele-review/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/haute-surveillance-ijele-review/#comments</comments>
		<pubDate>Fri, 12 Apr 2013 08:13:32 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[TSky news]]></category>
		<category><![CDATA[chimurenga]]></category>
		<category><![CDATA[haute surveillance]]></category>
		<category><![CDATA[johannes goransson]]></category>
		<category><![CDATA[overpass books]]></category>
		<category><![CDATA[stacy hardy]]></category>
		<category><![CDATA[uche nduka]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6090</guid>
		<description><![CDATA[Writes Hardy: "The narrative of [Göransson's <em>Haute Surveillance</em>] is itinerant, slippery. It unwinds, confused by voices, rhythms, and accents, 'interlingual puns', 'auto-translations' and 'automutilations' that befuddle the desire for a secure semantics. It is at once a prose poem, a 'novel dedicated to the homos and the awkward perfumists', a biography of its author, an 'autobiography of a foreigner', 'a fashion show dedicated to a riot', a film script and a theoretical text.... 'This is the first lesson in haute surveillance: Always write like you’re a teenage virgin. Always reach for the gun.'

"A similar trickster aesthetics is at the heart of Nduka poetics. A Nigerian writer, working out of Germany and America, Nduka, like Göransson, has the unbordered tongue of an immigrant. Also like Göransson he suggests that it is only in the oblique gaze and the excessive and errant language of poetics that we manage to travel to where the rationalist analytics of the social and human sciences do not permit...."]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/haute-surveillance-ijele-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Prose poems by Sandra Doller</title>
		<link>http://www.tarpaulinsky.com/2013/04/sandra-doller/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/sandra-doller/#comments</comments>
		<pubDate>Thu, 11 Apr 2013 12:09:24 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[cross-genre & hybrid]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[prose poetry]]></category>
		<category><![CDATA[sandra doller]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6065</guid>
		<description><![CDATA[Children are both full of lumine and ill. In my experience, the child you were is the one you kill. Take this icky kiddie before I drop her. Jog on top of me like that, like boot camp. Jump. Jump. Children are glowy like that.]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/sandra-doller/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Laura Carter reviews Johannes Göransson&#8217;s Haute Surveillance at Fanzine</title>
		<link>http://www.tarpaulinsky.com/2013/04/laura-carter-review-haute-surveillance/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/laura-carter-review-haute-surveillance/#comments</comments>
		<pubDate>Mon, 08 Apr 2013 10:07:32 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[TSky news]]></category>
		<category><![CDATA[haute surveillance]]></category>
		<category><![CDATA[johannes goransson]]></category>
		<category><![CDATA[laura carter]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6036</guid>
		<description><![CDATA["Imagine that you are on a secret journey through the life of Jean Genet, through the shifting framework of a character made by Johannes Göransson," writes Carter, who imagines no small number of scenarios for readers of <em>Haute Surveillance</em> (TSky Press, 2013), in a review that's worth reading as a thing unto itself. "You are a teenage virgin," Carter continues, a few sentences later, "the marriage of pornography and Art, which will, in the long run (as many Woody Allen movies suggest) turn you into a Dictator."]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/laura-carter-review-haute-surveillance/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lisa A. Flowers’ diatomhero: religious poems reviewed by Zack Kopp</title>
		<link>http://www.tarpaulinsky.com/2013/04/lisa-a-flowers-diatomhero-reviewed-zack-kopp/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/lisa-a-flowers-diatomhero-reviewed-zack-kopp/#comments</comments>
		<pubDate>Sat, 06 Apr 2013 16:58:55 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[lisa a flowers]]></category>
		<category><![CDATA[vulgar marsala press]]></category>
		<category><![CDATA[zack kopp]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6021</guid>
		<description><![CDATA["Gods and myths and works of art. And through it all a slack jawed, salivating artful rearrangement of half-unconscious social and mythological tropes, reflecting characters like Houdini, or Pinocchio, or Rorschach, in ancient Greece, or Los Angeles, or Egypt, offset by the smell of sex on johnnycakes. Characters like Jenny Greenteeth, the river hag of English nursery rhymes said to drag errant children to watery death, or Abyzou, birth-killing female demon and partner of Lilith, are briefly historied in the appendix provided by Ms. Flowers at the back of the book...."]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/lisa-a-flowers-diatomhero-reviewed-zack-kopp/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Frank Montesonti’s Blight, Blight, Blight, Ray of Hope reviewed by Matthew Sadler</title>
		<link>http://www.tarpaulinsky.com/2013/04/frank-montesonti-blight-review-matthew-sadler/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/frank-montesonti-blight-review-matthew-sadler/#comments</comments>
		<pubDate>Sat, 06 Apr 2013 09:32:47 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[barrow street]]></category>
		<category><![CDATA[frank montesonti]]></category>
		<category><![CDATA[matthew sadler]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=6004</guid>
		<description><![CDATA[Matthew Sadler reviews Frank Montesonti's poetry collection and winner of the 2011 Barrow Street Poetry Prize, selected by DA Powell: "I want to say my heart yearns for the over-complicated days of my young self figuring out the world, that Montesonti has captured that zeitgeist, put it in a bottle of Drakkar Noir and sprayed it all over the abstract expressionist print silk shirts of my middle school dances. But the double edged sword of nostalgia is just a part of <em>Blight, Blight, Blight, Ray of Hope . . .</em>]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/frank-montesonti-blight-review-matthew-sadler/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Andrew Zornoza&#8217;s Where I Stay reviewed at Hyperallergic</title>
		<link>http://www.tarpaulinsky.com/2013/04/andrew-zornoza-where-i-stay-hyperallergic/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/andrew-zornoza-where-i-stay-hyperallergic/#comments</comments>
		<pubDate>Tue, 02 Apr 2013 11:22:02 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[TSky news]]></category>
		<category><![CDATA[andrew zornoza]]></category>
		<category><![CDATA[reviews of where i stay]]></category>
		<category><![CDATA[where i stay]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=5946</guid>
		<description><![CDATA["A really strange and beautiful use of photography in experimental literature," writes Allison Meier, <em>Where I Stay</em> (TSky Press, 2009) is "compact prose set to the rhythm of poetry," a "both spare and sprawling interpretation" of "dislocated loneliness in being unmoored, in drifting away from connections and places until you become stuck somewhere again."]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/andrew-zornoza-where-i-stay-hyperallergic/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Two poems by Lina ramona Vitkauskas</title>
		<link>http://www.tarpaulinsky.com/2013/04/lina-ramona-vitkauskas/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/lina-ramona-vitkauskas/#comments</comments>
		<pubDate>Mon, 01 Apr 2013 08:34:24 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[lina ramona vitkauskas]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=5961</guid>
		<description><![CDATA[Poppy stars, come home to me,
<br /><br />
you are my little test prawns!
<br /><br />
and bring the litmus of being. The bias of celestial skin.
<br /><br />
Spread all of your fears onto this Dictaphone.]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/lina-ramona-vitkauskas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Indeterminate text by The Becoming</title>
		<link>http://www.tarpaulinsky.com/2013/04/indeterminate-text-becoming/</link>
		<comments>http://www.tarpaulinsky.com/2013/04/indeterminate-text-becoming/#comments</comments>
		<pubDate>Mon, 01 Apr 2013 06:57:47 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[cross-genre & hybrid]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[becoming]]></category>
		<category><![CDATA[calamari press]]></category>
		<category><![CDATA[derek white]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=5932</guid>
		<description><![CDATA[Com see, comes high tide begetting us to xist .. egging us to crawl tween sum spumed sinkhole-cum-sesspool &#038; an ever-cullapsing thresheld .. lichen to a sandcastle moat …. to bathe under such sun we call our own. Not kumtux sleep us of wither we wear (either way home-wise), yet keep us now a particullar plumed spot to come into bean (yà stocked cum a ferry-tailed fish landing in laboos) .. in sleeps not past come planting seasun (daccording to the Naturel Hystœry Almanack of father). From such frothy threshold of quiggly, intuit us that such &#038; such river we sleep on vec floatsam rapidly becomes not just soule river arriveing to saltchuck but landguage set in stone cum hooked fish. Tum-touch us entropey cum heat-pyre on our skin-cum-shell that we nanitch now cum lumen .. even vec seeowist shut. Such lumenus spurm flickers wind-ways, so blink us our eyelits to eye-touch &#038; in déjà-darkning sky above .. a troping flock of v-shapes circels round the blinding white sun .. induicing laud vizions cum augered tree-rings (a cumulation of witch lands upon the roof of our laboos).]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/04/indeterminate-text-becoming/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New events</title>
		<link>http://www.tarpaulinsky.com/2013/03/new-events/</link>
		<comments>http://www.tarpaulinsky.com/2013/03/new-events/#comments</comments>
		<pubDate>Sun, 31 Mar 2013 10:26:54 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[TSky news]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=5915</guid>
		<description><![CDATA[Featuring Jenny Boully, Claire Donato Johannes Göransson, David Wolach. Indiana. Iowa. Illinois. Missouri. California. Oregon. Washington.]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/03/new-events/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ken Chen on Johannes Göransson&#8217;s Haute Surveillance</title>
		<link>http://www.tarpaulinsky.com/2013/03/ken-chen-on-johannes-goransson-haute-surveillance/</link>
		<comments>http://www.tarpaulinsky.com/2013/03/ken-chen-on-johannes-goransson-haute-surveillance/#comments</comments>
		<pubDate>Sun, 31 Mar 2013 07:21:32 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[TSky news]]></category>
		<category><![CDATA[culturestrike]]></category>
		<category><![CDATA[haute surveillance]]></category>
		<category><![CDATA[johannes goransson]]></category>
		<category><![CDATA[ken chen]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=5919</guid>
		<description><![CDATA[Göransson's book-length poem, writes Chen, "combines all these meanings of pure, fake, authentic, corrupt, synthetic. The poem is an evil <em>Leaves of Grass</em> — not a welcoming cosmic paean to all American citizens, but a nihilistic porno where the pure and the fake copulate with a sordid glory. By real, Göransson means: children burning in bombed buildings, the bodies of foreigners, sperm and blood, traumatized soldiers strangling their wives. By fake, he means: film sets, stunt doubles, poetry. You can see this combo in how he depicts America: America is not an emancipatory pluralistic haven, but an atavistic theater of war, brutally real and, as Baudrillard has written, as simulated as a video game."]]></description>
		<wfw:commentRss>http://www.tarpaulinsky.com/2013/03/ken-chen-on-johannes-goransson-haute-surveillance/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Sarah Fox&#8217;s The First Flag reviewed by Joseph Harrington</title>
		<link>http://www.tarpaulinsky.com/2013/03/sarah-fox-first-flag/</link>
		<comments>http://www.tarpaulinsky.com/2013/03/sarah-fox-first-flag/#comments</comments>
		<pubDate>Mon, 25 Mar 2013 12:30:37 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[magazine]]></category>
		<category><![CDATA[nonfiction]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[coffee house press]]></category>
		<category><![CDATA[joseph harrington]]></category>
		<category><![CDATA[sarah fox]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=5851</guid>
		<description><![CDATA[Sarah Fox’s second book is <em>The First Flag</em>, and it is one fierce standard to follow. The book dispenses a potent compound of divination, memoir, psychoanalytic insights, placental rites and resolute feminism. This list might evoke what Kathleen Fraser referred to in 1989 as “immediately accessible language of personal experience as a binding voice of women's strength,” a “poetry of content” resistant to “fragmentation and resistance” at the level of the sentence. While <em>The First Flag</em> is all about women’s strength, its style of writing is consistently inventive, innovative and imaginative. Yes, there is Voice in these poems, but it speaks paratactically and goes in unexpected directions; it out-foxes patriarchal syntax; it is as often bemused and reflexive as it is rhetorical or representational....]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Is Sandy Florian Latina? Or Is She Just Angry?</title>
		<link>http://www.tarpaulinsky.com/2013/03/sandy-florian-latina-angry/</link>
		<comments>http://www.tarpaulinsky.com/2013/03/sandy-florian-latina-angry/#comments</comments>
		<pubDate>Sat, 23 Mar 2013 10:08:40 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[blogs]]></category>
		<category><![CDATA[montevidayo]]></category>
		<category><![CDATA[sandy florian]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=5877</guid>
		<description><![CDATA["What happens," asks Florian, "when someone who claims to be a Latina writer doesn’t write directly about her heritage? What happens when the African American student writes whatever the hell she pleases?"]]></description>
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		</item>
		<item>
		<title>Jamie Grefe on Johannes Göransson&#8217;s Haute Surveillance</title>
		<link>http://www.tarpaulinsky.com/2013/03/jamie-grefe-johannes-goransson-haute-surveillance/</link>
		<comments>http://www.tarpaulinsky.com/2013/03/jamie-grefe-johannes-goransson-haute-surveillance/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 10:29:37 +0000</pubDate>
		<dc:creator>TSky Press</dc:creator>
				<category><![CDATA[TSky news]]></category>
		<category><![CDATA[eyeslit-crypt]]></category>
		<category><![CDATA[haute surveillance]]></category>
		<category><![CDATA[jamie grefe]]></category>
		<category><![CDATA[johannes goransson]]></category>

		<guid isPermaLink="false">http://www.tarpaulinsky.com/?p=5887</guid>
		<description><![CDATA[Writes Grefe: "I was a mute foreigner, unpredictable as outsider. One who knows how to screw a fork. There are areas in Tokyo, in Seoul, in Beijing where foreigners are allowed to be foreign, allowed to tongue foreign, act foreign: needles, erotics, vomit. These are the areas where we grind chains in underground cabarets, McDonalds drunk with military officers, a man who said, 'as an American, it is my duty to protect you.'"]]></description>
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